Details

Respect for Acting


Respect for Acting

Expanded Version
3. Aufl.

von: Uta Hagen, Haskel Frankel, Katie Finneran, David Hyde Pierce

17,99 €

Verlag: Wiley
Format: EPUB
Veröffentl.: 14.04.2023
ISBN/EAN: 9781119913597
Sprache: englisch
Anzahl Seiten: 288

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Beschreibungen

<p><b>The classic book on acting, in an attractive updated edition</b> <p>Since its original publication in 1973, Uta Hagen's <i>Respect for Acting</i> has remained a durable classic and a must-read for all students of acting. As an acting instructor at the Herbert Berghof Studio, Hagen helped to develop the talents of world-class actors like Robert DeNiro, Matthew Broderick, Gene Wilder, Amanda Peet, Austin Pendleton, Whoopi Goldberg, and more. In this book, Hagen offers an indispensable account of the techniques that professionals use to elevate their acting to an art form. This updated edition illuminates Hagen's original text with a new foreword written by Katie Finneran, retaining the David Hyde Pierce foreword, along with added background on HB Studio—one of the original New York performing arts training and practice spaces—and an excerpt from Hagen's autobiography SOURCES. <p>In working through this book, actors will learn physical, verbal, and emotional practice that empower them to connect their own self-concept to the characters they play. Specific, detailed exercises help actors learn to address a range of problems actors face, like maintaining immediacy and relevance, and developing the dimensions of a role over a long performance run. <i>Respect for Acting</i> is a book for actors and audiences who understand the need for truth in the creative process. <p><ul><li>Discover the acting book that has shaped professional theater performances for decades</li> <li>Learn the history and background of Herbert Berghof Studio, one of New York's foremost acting schools</li> <li>Practice the craft of acting with concrete exercises and instruction on technique</li> <li>Delve into the deep questions that arise when actors truly inhabit the lives of their characters</li></ul> <p>Actors at all levels of their craft will love this stunning updated version of the essential <i>Respect for Acting</i>.
<p>Editor’s Note by <i>Jesse Feiler</i> xiii</p> <p>Foreword by <i>Katie Finneran</i> xv</p> <p>Foreword by <i>David Hyde Pierce</i> xix</p> <p>Acknowledgments xxiii</p> <p><b>Part One The Actor Introduction 3</b></p> <p>1 Concept 11</p> <p>2 Identity 22</p> <p>3 Substitution 34</p> <p>4 Emotional Memory 46</p> <p>5 Sense Memory 52</p> <p>6 The Five Senses 60</p> <p>7 Thinking 65</p> <p>8 Walking and Talking 69</p> <p>9 Improvisation 73</p> <p>10 Reality 75</p> <p><b>Part Two The Object Exercises Introduction 81</b></p> <p>11 The Basic Object Exercise 91</p> <p>12 Three Entrances 95</p> <p>13 Immediacy 102</p> <p>14 The Fourth Wall 106</p> <p>15 Endowment 112</p> <p>16 Talking to Yourself 119</p> <p>17 Outdoors 124</p> <p>18 Conditioning Forces 129</p> <p>19 History 134</p> <p>20 Character Action 139</p> <p><b>Part Three The Play and the Role Introduction 145</b></p> <p>21 First Contact with the Play 147</p> <p>22 The Character 152</p> <p>23 Circumstances 158</p> <p>24 Relationship 165</p> <p>25 The Objective 174</p> <p>26 The Obstacle 180</p> <p>27 The Action 184</p> <p>28 The Rehearsal 192</p> <p>29 Practical Problems 201</p> <p>30 Communication 213</p> <p>31 Style 217</p> <p>Epilogue 222</p> <p>The Studio Story, by Uta Hagen 224</p> <p>Address to the Austrian Academy, by Herbert Berghof 239</p> <p>Sources, by Uta Hagen 244</p> <p>About Uta Hagen 252</p> <p>About Haskel Frankel 254</p> <p>Index 255</p>
<P><B>UTA HAGEN,</B> Tony Award-winning actor and renowned acting teacher, co-founded HB Studio in New York City with her husband, Herbert Berghof, where she trained actors including Al Pacino, Jason Robards, Jack Lemmon, Whoopi Goldberg, and Christine Lahti. On stage she starred in groundbreaking productions with José Ferrer, Paul Robeson, Anthony Quinn, and Marlon Brando. HB Studio is her legacy where new generations of actors come from around the world to study. <P><B>HASKEL FRANKEL</B> worked as a journalist and critic for publications including <i>The New York Times, The Saturday Evening Post, Saturday Review, The National Observer, Show </i>and <i>Playbill</i>. He wrote and collaborated on many books including <i>Milton Berle: An Autobiography</i>, <i>The Admiral’s Daughter</i> with Victoria Fyodorova and <i>All My Patients Are Under the Bed</i> with Louis J. Camuti.
<p><b>The latest edition of a celebrated and bestselling acting resource</b> <p> <p>“I held onto this book for dear life throughout my twenties, and still thumb through it when I need a tune-up. If I lose my car keys and I’m frantically turning my house upside down trying to find them, I look up at the heavens and hope Uta’s having a good laugh.”<BR> <b> —AMANDA PEET</b> <p>“Uta Hagen changed my life. She changed the lives of thousands and thousands of other people as well. To have Uta’s books, and to be able to look through them at the drop of a hat, keeps me going and keeps me inspired to keep going.”<BR> <b> —AUSTIN PENDLETON</b> <p> <p>“I read <i>Respect for Acting</i> frequently. As a remembrance of my time with Uta and to keep myself challenged and humble. It should be utilized by every acting student and professional.”<BR> <b> —VICTOR SLEZAK</b> <p>“I was extraordinarily privileged to work with Uta Hagen in Circle in the Square’s production of George Bernard Shaw’s play <i>You Never Can Tell</i>. Her book, <i>Respect for Acting</i>, is a must-read for any actor at any age. She was committed to revealing the truth and we are the beneficiaries of her brilliant observations.”<BR> <b> —VICTOR GARBER</b>
<p><b>PRAISE FOR <i>RESPECT FOR ACTING<br /><br /></i></b>"Uta Hagen changed my life.  She changed the lives of thousands and thousands of other people as well.  To have Uta’s books, and to be able to look through them at the drop of a hat, keeps me going and keeps me inspired to keep going.”<br /><b>—AUSTIN PENDLETON,</b> <b>American actor<br /><br /></b>"I read <i>Respect for Acting</i> frequently. As a remembrance of my time with Uta and to keep myself challenged and humble. It should be utilized by every acting student and professional.”<br /><b>—V</b><b>ICTOR SLEZAK, American stage actor<br /><br /></b>“I was extraordinarily privileged to work with Uta Hagen in The Circle in the Square’s production of George Bernard Shaw’s play, <i>You Never Can Tell</i>. Her book, <i>Respect for Acting</i>, is a must read for any actor at any age. She was committed to revealing the truth and we are the beneficiaries of her brilliant observations.”<br /><b>—VICTOR GARBER, Canadian actor<br /><br /></b>“Uta Hagen and <i>Respect for Acting</i> have profoundly influenced nearly every actor alive today and yet to come in film, television and stage with this unmatchable, impeccably specific process developed from her life’s work as the definitive ‘actor’s actor’, and is timeless and invaluable for all beginning and working actors truly interested in the highest level of acting.”<br /><b>—</b><b>TED BRUNETTI, Award-winning producer, director, acting and directing coach, and actor</b> <br /><br />"Uta Hagen's <i>Respect for Acting</i> is simply the bible for any acting student serious about their craft. Even as a professional, I refer to it time and again for the basics. It is a touchstone."<br /><b>—</b><b>LAILA ROBINS, American film actress<br /><br /></b>“I held onto this book for dear life throughout my twenties, and still thumb through it when I need a tune up. If I lose my car keys and I'm frantically turning my house upside down trying to find them I look up at the heavens and hope she's having a good laugh.”<br /><b>—</b><b>AMANDA PEET, American actress</b></p>

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