Title Page
Author
True Tilda
The Mayor of Troy
About the Publisher
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Sir Arthur Thomas Quiller-Couch, pseudonym “q”, (born Nov. 21, 1863, Bodmin, Cornwall, Eng.—died May 12, 1944, Fowey, Cornwall), English poet, novelist, and anthologist noted for his compilation of The Oxford Book of English Verse 1250–1900 (1900; revised 1939) and The Oxford Book of Ballads (1910).
He was educated at Newton Abbot College, Clifton College, and Trinity College, Oxford, where he became lecturer in classics (1886–87). In 1887 he wrote Dead Man’s Rock, the first of several novels of Cornwall and the sea. From 1887 to 1892 he worked in London for a publishing firm and as assistant editor of The Speaker. A number of short stories that he contributed to it were reprinted in book form as Noughts and Crosses (1891), the first of a dozen similar volumes. In 1892 he settled at Fowey, the small Cornish port that appears in his stories as “Troy Town.” He was knighted in 1910 and in 1912 was appointed King Edward VII professor of English literature at Cambridge and also elected a fellow of Jesus College.
Poems (1930) is a collection of his serious verse; Green Bays (1930) contains light verse. His published works include On the Art of Writing (1916), Shakespeare’s Workmanship (1918), Studies in Literature (3 series: 1918, 1922, 1929), On the Art of Reading (1920), Charles Dickens and Other Victorians (1925), and The Poet as Citizen, and Other Papers (1934). He was noted for his clear and apparently effortless style.
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AT THE SIGN OF THE GOOD SAMARITAN
"That it may please Thee to preserve all that travel by land or by water . . . all sick persons, and young children."—THE LITANY.
"I love my love with a H'aitch, because he's 'andsome—"
Tilda turned over on her right side—she could do so now without pain— and lifting herself a little, eyed the occupant of the next bed. The other six beds in the ward were empty.
"I 'ate 'im, because—look 'ere, I don't believe you're listenin'?"
The figure in the next bed stirred feebly; the figure of a woman, straight and gaunt under the hospital bedclothes. A tress of her hair had come uncoiled and looped itself across the pillow—reddish auburn hair, streaked with grey. She had been brought in, three nights ago, drenched, bedraggled, chattering in a high fever; a case of acute pneumonia. Her delirium had kept Tilda—who was preternaturally sharp for her nine years—awake and curious during the better part of two night-watches. Thereafter, for a day and a night and half a day, the patient had lain somnolent, breathing hard, at intervals feebly conscious. In one of these intervals her eyes had wandered and found the child; and since then had painfully sought her a dozen times, and found her again and rested on her.
Tilda, meeting that look, had done her best. The code of the show-folk, to whom she belonged, ruled that persons in trouble were to be helped. Moreover, the long whitewashed ward, with its seven oblong windows set high in the wall—the smell of it, the solitude, the silence—bored her inexpressibly. She had lain here three weeks with a hurt thigh-bone bruised, but luckily not splintered, by the kick of a performing pony.
The ward reeked of yellow soap and iodoform. She would have exchanged these odours at the price of her soul—but souls are not vendible, and besides she did not know she possessed one—for the familiar redolences of naphtha and horse-dung and trodden turf. These were far away: they had quite forsaken her, or at best floated idly across her dreams. What held her to fortitude had been the drone and intermittent hoot of a steam-organ many streets away. It belonged to a roundabout, and regularly tuned up towards evening; so distant that Tilda could not distinguish one tune from another; only the thud of its bass mingled with the buzz of a fly on the window and with the hard breathing of the sick woman.
Sick persons must be amused: and Tilda, after trying the patient unsuccessfully with a few jokes from the repertoire of her own favourite clown, had fallen back upon "I love my love"—about the only game known to her that dispensed with physical exertion.
"Sleepin', are you? . . . Well, I'll chance it and go on. I 'ate 'im because he's 'aughty—or 'igh-born, if you like—"
The figure beneath the bedclothes did not stir. Tilda lifted herself an inch higher on the elbow; lifted her voice too as she went on:
"And I'll take 'im to—'OLMNESS—"
She had been watching, expecting some effect. But it scared her when, after a moment, the woman raised herself slowly, steadily, until half-erect from the waist. A ray of the afternoon sun fell slantwise from one of the high windows, and, crossed by it, her eyes blazed like lamps in their sockets.
"—And feed 'im on 'am!" concluded Tilda hurriedly, slipping down within her bedclothes and drawing them tight about her. For the apparition was stretching out a hand. The hand drew nearer.
"It's—it's a name came into my 'ead," quavered the child.
"Who . . . told . . . you?" The fingers of the hand had hooked themselves like a bird's claw.
"Told me yerself. I 'eard you, night before last, when you was talkin' wild. . . . If you try to do me any 'arm, I'll call the Sister."
"Holmness?"
"You said it. Strike me dead if you didn'!" Tilda fetched a grip on herself; but the hand, its fingers closing on air, drew back and dropped, as though cut off from the galvanising current. She had even presence of mind to note that the other hand—the hand on which the body propped itself, still half-erect, wore a plain ring of gold. "You talked a lot about 'Olmness—and Arthur. 'Oo's Arthur?"
But the patient had fallen back, and lay breathing hard. When she spoke again all the vibration had gone out of her voice.
"Tell them . . . Arthur . . . fetch Arthur . . . ." The words tailed off into a whisper. Still the lips moved as though speech fluttered upon them; but no speech came.
"You just tell me where he is, and maybe we'll fetch 'im," said Tilda encouragingly.
The eyes, which had been fixed on the child's, and with just that look you may note in a dog's eyes when he waits for his master's word, wandered to the table by the bedside, and grew troubled, distressful.
"Which of 'em?" asked Tilda, touching the medicine bottles and glasses there one by one.
But the patient seemed to shake her head, though with a motion scarcely perceptible.
She could talk no more.
Tilda lay back thinking.
"Sister!" she said, twenty minutes later, when the Second Nurse entered the ward. The Second Nurse had charge just now, the matron being away on her August holiday.
"Well, dear?"
"She wants something." Tilda nodded towards the next bed.
"To be sure she does, and I'm going to give it to her." The Second
Nurse, composed in all her movements, bent over the medicine table.
"Garn!" retorted Tilda. "It's easy seen you wasn' brought up along with animals. Look at the eyes of her."
"Well?" The Second Nurse, after a long look at the patient, turned to
Tilda again.
"You mind my tellin' you about Black Sultan?"
"Of course I do. He was the one with the bearing rein and the white martingale. Miss Montagu rode him."
"Right-O!" Tilda nodded. "Well, they used to come on next turn to mine, which was the Zambra Fambly, as before the Crowned 'eads—only there wasn' no fambly about it, nor yet no 'eads. Me bein' 'andy an' dressed up, with frizzy 'air, they stood me on a tub with a 'oop, makin' believe 'twas for Miss Montagu to jump through; but of course she didn', reely. When she came round to me she'd only smile and touch me playful under the chin; and that made the sixpenny seats say, ''Ow womanly!' or, 'Only think! able to ride like that and so fond of children!' Matter of fact, she 'ad none; and her 'usband, Mike O'Halloran, used to beat her for it sometimes, when he'd had a drop of What-killed-Aunty. He was an Irishman."
"You didn't start to tell me about Mr. O'Halloran."
"No. He wasn' your sort at all; and besides, he's dead. But about Black Sultan—Miss Montagu used to rest 'im, 'alf-way in his turn, while the clown they called Bimbo—but his real name was Ernest Stanley—as't a riddle about a policeman and a red 'errin' in a newspaper. She always rested alongside o' me; and I always stood in the same place, right over a ring-bolt where they made fast one of the stays for the trapeze; and regular as Black Sultan rested, he'd up with his off hind foot and rub the pastern-bone, very soft, on the ring-bolt. So one day I unscrewed an' sneaked it, jus' to see what he'd do. When he felt for it an' missed it, he gave me a look. That's all. An' that's what's the matter with 'er."
"But what can she be missing?" asked the Second Nurse. "She had nothing about her but an old purse, and nothing in the purse but a penny-ha'penny."
"It don't sound much, but we might try it."
"Nonsense!" said the Second Nurse; but later in the evening she brought the purse, and set it on the table where the patient's eyes might rest on it. For aught she could detect, they expressed no thanks, gave no flicker of recognition. But the child had been watching them too, and was quicker—by one-fifth of a second, perhaps.
It was half-past eight, and the sister turned low the single gas-jet. She would retire now to her own room, change her dress for the night-watching, and return in about twenty minutes. The door had no sooner closed upon her than Tilda stretched out a hand. The sick woman watched, panting feebly, making no sign. The purse—a cheap thing, stamped with forget-me-nots, and much worn at the edges where the papier-mache showed through its sham leather—contained a penny and a halfpenny; these, and in an inner stamp-pocket a scrap of paper, folded small, and greasy with handling.
Still peering across in the dim light, Tilda undid the broken folds and scrambled up to her knees on the bed. It cost her a twinge of pain, but only by standing upright on the bed's edge could she reach the gas-bracket to turn the flame higher. This meant pain sharper and more prolonged, yet she managed it, and, with that, clenched her teeth hard to keep down a cry. The child could swear, on occasion, like a trooper; but this was a fancy accomplishment. Just now, when an oath would have come naturally to a man, she felt only a choking in the throat, and swallowed it down with a sob.
On the paper were four lines, written in pencil in a cramped hand; and, alas! though Tilda could read print, she had next to no acquaintance with handwriting.
The words were a blur to her. She stared at them; but what she saw was the gaze of the sick woman, upturned to her from the bed. The scrap of paper hid it, and yet she saw. She must act quickly.
She gave a reassuring nod, turned the gas-jet low, and slid down into bed with the paper clenched in her hand. But as her head touched the pillow she heard a rustling noise, and craned up her neck again. The patient had rolled over on her left side, facing her, fighting for breath.
"Yes, yes," Tilda lied hardily. "To-morrow—Arthur—they shall send for him to-morrow."
"Four," said the sick woman. The word was quite distinct. Another word followed which Tilda could not catch.
"Four o'clock, or may be earlier," she promised.
"L—l—lozenges," the tongue babbled.
Tilda glanced towards the medicine table.
"Diamonds," said the voice with momentary firmness; "four diamonds . . . on his coat . . . his father's . . . his . . . ."
"Four diamonds, yes?" the child repeated.
"Ned did them . . . he told me . . . told me . . . ." But here the voice wavered and trailed off into babble, meaningless as a year-old infant's. Tilda listened hard for a minute, two minutes, then dropped her head back on her pillow as the door-handle rattled. It was the Second Nurse returning for night duty.
Early next morning the doctor came—a thin young man with a stoop, and a crop of sandy hair that stood upright from his forehead. Tilda detested him.
He and the Second Nurse talked apart for quite a long while, and paid no attention to the child, who lay shamming a doze, but with her ears open.
She heard the doctor say—
"She? Oh, move her to the far end of the ward."
The Second Nurse muttered something, and he went on—
"She is well, practically. All she wants now is someone to keep an eye on her, make her lie up for a couple of hours every day, and box her ears if she won't."
"That's me," thought Tilda. "I'm to be moved out of the way because t'other's going to die; and if she's going to die, there's no time to be lost."
She stirred, lifted her head, and piped—
"Doctor!"
"Hullo, imp! I thought you were sleeping."
"So I was. I sleep 'eaps better now." She drew her hurt leg up and down in the bed. "Doctor, I 'd be all right, certain sure, if you let me out for arf-an-hour. Sister let me sit out for ever so long yestiday, an' while she was dustin' out the men's ward I practised walkin'—all the lenth of the room an' back."
"When I told you never, on any account!" the Sister scolded.
"If I'd only the loan of a crutch!" pleaded Tilda; "an' it couldn' do me no 'arm in this weather."
"Pining for liberty, hey?" said the doctor. (She saw what was passing through his mind, and despised him for it.) "Well, suppose, now, we let you out for just half an hour?"
Tilda clapped her palms together, and her eyes shone. To herself she said: "Kiddin' of me, that's what they are. Want to get me out of the way while they shift the beddin'. Lemme get back my clothes, that's all, an' I'll teach him about pinin' for liberty."
"But," said the doctor severely, lifting a finger, "you're to keep to the pavement mind—just outside, where it's nice and shady. Only so far as the next turning and back; no crossing anywhere or getting in the way of traffic, and only for half an hour. The chimes from St. Barnabas will tell you, if you can't read the clock."
She had learnt to read the time before she was five years old, and had a mind to tell him, but checked herself and merely nodded her head.
"Half an hour, and the pavement only. Is that understood?"
"Honest!"
It annoyed her—when, an hour later, she began to dress for the adventure—to find herself weaker than she had at all supposed. Although she forbore to mention it to the Second Nurse, there was an irresponsible funny feeling in her legs. They seemed to belong to her but by fits and starts. But the clothes were hers: the merino skirt a deal too short for her—she had grown almost an inch in her bed-lying— the chip hat, more badly crushed than ever, a scandal of a hat, but still hers. The dear, dear clothes! She held them in both hands and nuzzled into them, inhaling her lost self in the new-old scent of liberty.
When at length her hat was donned, the notion took her to stand by the sick woman's bed to show herself.
Consciousness had drained away deep into the sick woman's eyes. It wavered there darkly, submerged, half-suspended, as you may see the weed waver in a dim seapool. Did a bubble, a gleam, float up from the depths? At any rate, the child nodded bravely.
"Goin' to fetch 'im, don't you fret!"
HOW TRUE TILDA CAME TO DOLOROUS GARD
"Dauntless the slug-horn to my lips I set. And blew 'Childe Roland to the Dark Tower came.'" BROWNING.
Fifty years before, the Hospital of the Good Samaritan had been the pet "charity" of a residential suburb. Factories and slums had since crowded in upon it, ousting the residents and creeping like a tide over the sites of their gardens and villas. The street kept its ancient width, and a few smoke-blackened trees—lilacs, laburnums, limes, and one copper-beech—still dignified the purlieus. Time, ruthless upon these amenities, had spared, and even enlarged, the hospital.
It stood on the shaded side of the street. Nevertheless, the sunshine, reflected from the facade of mean houses across the way, dazzled Tilda as she crossed the threshold of the great doorway and hopped down the steps. There were five steps, and on the lowest she paused, leaning a moment on her crutch before taking the final plunge into liberty.
Then, while she stood blinking, of a sudden a yellowish brown body bounded at her out of the sun-dazzle, pushed her tottering, danced back, and leapt at her again, springing to lick her face, and uttering sharp, inarticulate noises from a throat bursting with bliss.
"'Dolph! O 'Dolph!"
Tilda sank on the lowest step and stretched out both arms. The dog, rushing between them, fairly bowled her backwards; lit in her lap and twisted his body round ecstatically, thrusting, nuzzling at her bosom, her neck, her face—devouring her with love. In her weakness she caught him around the chest, close behind the forelegs, and hugged him to her. So for a quarter of a minute the two rocked together and struggled.
"'Dolph! O good dog! . . . Did Bill send yer?"
'Dolph, recoiling, shook his neck-ruff and prepared for another spring; but Tilda pushed him back and stood up. "Take me along to him," she commanded, and lifted her face impudently to the clock-face of St. Barnabas above the mean roofs. "Barnabas, are yer? Then give my compliments to the doctor, you Barnabas, an' tell 'im to cheese it." 'Dolph—short for Godolphus—pricked both ears and studied the sky-line. Perceiving nothing there—not even a swallow to be chased—he barked twice (the humbug!) for sign that he understood thoroughly, and at once fell to new capers by way of changing the subject. Tilda became severe. "Look here, Godolphus," she explained, "this is biz-strict biz. You may wag your silly Irish tail, but that don't take me in. Understand? . . . Well, the first thing you 'ave to do is take me to Bill."
Godolphus was dashed; hurt, it may be, in his feelings. Being dumb, he could not plead that for three weeks daily he had kept watch on the hospital door; that, hungry, he had missed his meals for faith, which is the substance of things unseen; that, a few hours ago, having to choose between half-gods assured and whole gods upon trust—an almost desperate trust—he had staked against the odds. Or, it may be, he forgot all this, and only considered what lay ahead for the child. At any rate, his tail, as he led the way, wagged at a sensibly lower angle.
"Bill can read any kind of 'andwriting," said Tilda, half to herself and half to the dog. "What's more, and whatever's the matter, Bill 'elps."
So she promised herself. It did not strike her that 'Dolph—who in an ordinary way should have been bounding ahead and anon bounding back to gyrate on his hind legs and encourage her—preferred to trot ahead some thirty or forty yards and wait for her to overtake him; nor that, when she came up, he avoided her eyes, pretending that here a doorstep, there a grating or water-main absorbed his curiosity. Once or twice, indeed, before trotting off again, he left these objects of interest to run around Tilda's heels and rub against her crutch. But she was busy with her own plans.
So through a zig-zag of four or five dingy streets they came to one she recognised as that leading into the Plain, or open space where the show-people encamped. At its far end 'Dolph halted. His tail still wagged, but his look was sidelong, furtive, uneasy.
Tilda, coming up with him, stood still for a moment, stared, and caught her breath with a little gasp of dismay.
The Plain was empty.
Circus and menagerie, swing-boats, roundabouts, shooting-galleries—all were gone. The whole area lay trampled and bare, with puddles where the steam-engines had stood, and in the puddles bedabbled relics of paper brushes, confetti bags, scraps torn from feminine flounces, twisted leaden tubes of "ladies' tormentors" cast away and half-trodden into the mire; the whole an unscavenged desolation. Her folk—the show-folk—had deserted her and vanished, and she had not a penny in her pocket. It cost Tilda all her pluck to keep what she called a tight upper lip. She uttered no cry, but seated herself on the nearest doorstep— apparently with deliberation, actually not heeding, still less caring, to whom the doorstep belonged.
"Oh, 'Dolph!" she murmured.
To her credit, in the act of appealing to him, she understood the dog's heroism, and again stretched forth her arms. He had been waiting for this—sprang at her, and again was caught and hugged. Again the two forlorn ones rocked in an embrace.
Brief ecstasy! The door behind them was constructed in two portions, of which the upper stood wide, the lower deceptively on the latch. Against this, as she struggled with Godolphus's ardour, Tilda gave a backward lurch. It yielded, flew open, and child and dog together rolled in across the threshold, while a shop-bell jangled madly above them.
"Get out of this—you and your nasty cur!"
Tilda picked up herself and her crutch, and stood eyeing the shopwoman, who, summoned by the bell, had come rushing from an inner room, and in no sweet temper. From the woman she glanced around the shop— a dairy-shop with a marble-topped counter, and upon the counter a pair of scales and a large yellow block of margarine.
"It was a naccident," said Tilda firmly and with composure. "And my dog isn' a nasty cur; it only shows your ignorance. Be quiet, 'Dolph!"
She had to turn and shake her crutch at Godolphus, who, perceiving his mistress's line of action, at once, in his impulsive Irish way, barked defiance at the shopwoman.
But the shopwoman's eyes rested on the crutch, and the sight of it appeared to mollify her.
"My gracious! I do believe you 're the child was hurt at Maggs's Circus and taken to hospital."
Tilda nodded.
"Did you see me?"
"Carried by on a stretcher—and your face the colour of that."
The woman pointed to the marble counter-top.
"I was a serious case," said Tilda impressively. "The people at the Good Samaritan couldn' remember admittin' the likes of it. There were complications."
"You don't say!"
"But what's become of Maggs's?"
"Maggs's left a week ago come Tuesday. I know, because they used to buy their milk of me. They were the first a'most, and the last was the Menagerie and Gavel's Roundabouts. They packed up last night. It must be a wearin' life," commented the shopwoman. "But for my part I like the shows, and so I tell Damper—that's my 'usband. They put a bit of colour into the place while they last, besides bein' free-'anded with their money. Light come light go, I reckon; but anyway, it's different from cows. So you suffered from complications, did you?"
"Internal," Tilda assured her in a voice as hollow as she could make it.
"I must have spit up a quart of blood, first an' last. An' the medicine
I 'ad to take! You wouldn' think it, but the colour was pale
'eliotrope."
"I wonder," said Mrs. Damper sympathetically—"I wonder it stayed in the stomach."
"It didn'."
"Wouldn' you fancy a glass o' milk, now?"
"It's very kind of you." Tilda put on her best manners. "And 'ere's 'ealth!" she added before sipping, when the milk was handed to her.
"And the dog—wouldn' 'e like something?"
"Well, since you mention it—but it's givin' you a 'eap of trouble. If you 'ave such a thing as a bun, it don't matter 'ow stale."
"I can do better 'n that." Mrs. Damper dived into the inner room, and re-emerged with a plateful of scraps. "There's always waste with children," she explained, "and I got five. You can't think the load off one's shoulders when they're packed to school at nine o'clock. And that, I dessay," she wound up lucidly, "is what softened me t'ards you. Do you go to school, now?"
"Never did," answered Tilda, taking the plate and laying it before
Godolphus, who fell-to voraciously.
"I 'd like to tell that to the attendance officer," said Mrs. Damper in a wistful tone. "But p'r'aps it might get you into trouble?"
"You 're welcome."
"He do give me a lot of worry; and it don't make things easier Damper's threatenin' to knock his 'ead off if ever he catches the man darkenin' our door. Never been to school, aven't you? I 'd like to tell 'im, and that, if there's a law, it ought to be the same for all. But all my children are 'ealthy, and that's one consolation."
"'Ealth's the first thing in life," agreed Tilda. "So they've all cleared out?—the shows, I mean."
"Every one—exceptin' the Theayter."
"Mortimer's?" Tilda limped to the open door. "But I don't see him, neither."
"Mortimer's is up the spout. First of all, there was trouble with the lodgings; and on top of that, last Monday, Mr. Hucks put the bailiffs in. This mornin' he sent half a dozen men, and they took the show to pieces and carried it off to Hucks's yard, where I hear he means to sell it by public auction."
"Who's Mr. Hucks?"
"He's the man that farms the Plain here—farms it out, I mean," Mrs. Damper explained. "He leases the ground from the Corporation and lets it out for what he can make, and that's a pretty penny. Terrible close-fisted man is Mr. Hucks."
"Oh!" said Tilda, enlightened. "When you talked of farmin', you made me wonder . . .So they're all gone? And Wolverhampton-way, I reckon. That was to be the next move."
"I've often seen myself travellin' in a caravan," said Mrs. Damper dreamily. "Here to-day an' gone to-morrow, and only to stretch out your hand whether 'tis hairpins or a fryin'-pan; though I should never get over travellin' on Sundays." Here, while her eyes rested on the child, of a sudden she came out of her reverie with a sharp exclamation. "Lord's sake! You ain't goin' to tell me they've left you in 'ospital, stranded!"
"That's about it," said Tilda bravely, albeit with a wry little twist of her mouth.
"But what'll you do?"
"Oh, I dunno . . . We'll get along some'ow—eh, 'Dolph? Fact is, I got a job to do, an' no time to lose worryin'. You just read that."
Tilda produced and handed her scrap of paper to Mrs. Damper, who took it, unfolded it, and perused the writing slowly.
"Goin' there?" she inquired at length.
"That depends." Tilda was not to be taken off her guard. "I want you to read what it says."
"Yes, to be sure—I forgot what you said about havin' no schoolin'. Well, it says: 'Arthur Miles, surname Chandon, b. Kingsand, May 1st, 1888. Rev. Dr. Purdie J. Glasson, Holy Innocents' Orphanage, Bursfield, near Birmingham '—leastways, I can't read the last line clear, the paper bein' frayed; but it's bound to be what I've said."
"Why?"
"Why, because that's the address. Holy Innocents, down by the canal— I know it, o' course, and Dr. Glasson. Damper supplied 'em with milk for over six months, an' trouble enough we had to get our money."
"How far is it?"
"Matter of half a mile, I should say—close by the canal. You cross it there by the iron bridge. The tram'll take you down for a penny, only you must mind and get out this side of the bridge, because once you're on the other side it's tuppence. Haven't got a penny? Well,"—Mrs. Damper dived a hand into her till—"I'll give you one. Bein' a mother, I can't bear to see children in trouble."
"Thank you," said Tilda. "It'll come in 'andy; but I ain't in no trouble just yet."
"I 'spose," Mrs. Damper ventured after a pause, "you don't feel like tellin' me what your business might be down at the orphanage? Not that I'm curious.
"I can't." This was perfectly true, for she herself did not know. "You see," she added with a fine air of mystery, "there's others mixed up in this."
Mrs. Damper sighed.
"Well, I mustn' detain you . . . This Arthur Miles Chandon—he's not a friend of yours by any chance?"
"He's a—sort of connection," said Tilda. "You know 'im, p'r'aps?"
"Dear me, no!"
"Oh,"—the child, without intending it, achieved a fine irony— "I thought you seemed interested. Well, so long! and thank you again— there's a tram stoppin' at the corner! Come along, 'Dolph!"
She was not—she had said it truthfully—by any means in trouble just yet. On the contrary, after long deprivation she was tasting life again, and finding it good. The streets of this Bursfield suburb were far from suggestive of the New Jerusalem—a City of which, by the way, Tilda had neither read nor heard. They were, in fact, mean and squalid, begrimed with smoke and imperfectly scavenged. But they were, at least, populous, and to Tilda the faces in the tram and on the pavements wore, each and all, a friendly—almost an angelic—glow. The tram-car rolled along like a celestial chariot trailing clouds of glory, and 'Dolph, running beside it and threading his way in and out between the legs of the passers-by, was a hound of heaven in a coat effluent of gold. Weariness would come, but as yet her body felt no weariness, buoyed upon a spirit a-tiptoe for all adventure.
The tram reached the iron bridge and drew up. She descended, asked the conductor to direct her to Holy Innocents, and was answered with a jerk of the thumb.
It stood, in fact, just beyond the bridge, with a high brick wall that turned off the street at right angles and overhung the towpath of the canal. Although in architecture wholly dissimilar, the building put her in mind of the Hospital of the Good Samaritan, and her spirits sank for a moment. Its facade looked upon the street over a strip of garden crowded with dingy laurels. It contained a depressingly large number of windows, and it seemed to her that they were at once bare and dirty. Also, and simultaneously, it occurred to her that she had no notion what step to take next, nor how, if she rang the bell, to explain herself. She temporised therefore; whistled to 'Dolph, and turned aside down the steps leading to the towpath. She would con the lie of the land before laying siege—the strength of the castle before summoning the defence.
The castle was patently strong—strong enough to excuse any disheartenment. Scarcely a window pierced its narrow butt-end, four stories high, under which the steps wound. It ended just where they met the towpath, and from its angle sprang a brick wall dead-blank, at least twelve feet high, which ran for eighty or ninety yards along the straight line of the path. Across the canal a row of unkempt cottage gardens sloped to the water, the most of them fenced from the brink of it with decayed palings, a few with elder bushes and barbed wire to fill up the gaps, while at least two ended in moraines of old meat tins and shards of crockery. And between these containing banks wound the canal, shallow and waveless, with noisome weeds trailing on its surface afloat amid soot and iridescent patches or pools of tar. In the cottage gardens not a soul was at work, nor, by their appearance, had a soul worked in them for years past. The canal, too, was deserted, save for one long monkey-boat, black as Charon's barge, that lay moored to a post on the towpath, some seventy-odd yards up stream, near where the wall of the Orphanage ended. Beyond this, and over a line of ragged thorns, the bulk of a red-brick Brewery—its roof crowned with a sky-sign—closed the view.
The monkey-boat lay with her stem down-stream, and her after-part—her habitable quarters—covered by a black tarpaulin. A solitary man was at work shovelling coal out of her middle hold into a large metal bucket. As Tilda hobbled towards him he hoisted the full bucket on his shoulders, staggered across the towpath with it, and shot its contents into a manhole under the brick wall. Tilda drew near and came to a halt, watching him.
"Afternoon," said the man, beginning to shovel again.
"Afternoon," responded Tilda.
He was a young man—she could detect this beneath his mask of coal dust. He wore a sack over his shoulders, and a black sou'wester hat with a hind-flap that fell low over his neck. But she liked the look in his eyes, though the rims of them were red and the brows caked with grit. She liked his voice, too. It sounded friendly.
"Is this the Orph'nige? What they call 'Oly Innercents?" she asked.
"That's so," the young coalheaver answered. "Want to get in?"
"I do an' I don't," said Tilda.
"Then take my advice an' don't."
He resumed his shovelling, and Tilda watched him for a while.
"Nice dorg," said he, breaking off and throwing an affable nod towards Godolphus who, having attracted no attention by flinging himself on the grass with a lolling tongue and every appearance of fatigue, was now filling up the time in quest of a flea. "No breed, but he has points. Where did you pick him up?"
"He belongs to a show."
"Crystal Pallus?"
"And," pursued Tilda, "I was wonderin' if you'd look after him while I step inside?"
She threw back her head, and the man whistled.
"You're a trustin' one, I must say!"
"You'd never be mean enough to make off with 'im, an' I won't believe it of you," spoke up Tilda boldly.
"Eh? I wasn' talkin of the dorg," he explained. "I was meanin' the Orph'nage. By all accounts 'tisn' so easy to get in—an' 'tis a sight harder to get out."
"I've got to get in," urged Tilda desperately.
"I've a message for someone inside. His name's Arthur Miles Chandon."
The young coalheaver shook his head.
"I don't know 'im," he said. "I'm new to this job, an' they don't talk to me through the coal-'ole. But you seem a well-plucked one, and what with your crutch—How did you come by it?"
"Kick of a pony."
"Seems to me you've been a good deal mixed up with animals, for your age. What about your pa and ma?"
"Never 'ad none, I thank Gord."
"Eh?" The young man laid down his shovel, lifted the flap of his sou'wester, and scratched the back of his head slowly. "Let me get the hang o' that, now."
"I've seen fathers and mothers," said the sage child, nodding at him; "and them as likes 'em is welcome to 'em."
"Gor-a-mussy!" half-groaned the young man. "If you talk like that, they'll take you in, right enough; but as to your gettin' out—"
"I'll get out, one way or 'nother—you see!" Tilda promised. "All you 'ave to do is to take charge o' this crutch an' look after the dog."
"Oh, I'll look after 'im!"
The child shook a forefinger at 'Dolph, forbidding him to follow her. The dog sank on his haunches, wagging a tail that swept the grasses in perplexed protest, and watched her as she retraced her way along the towpath.
Tilda did not once look back. She was horribly frightened; but she had pledged her word now, and it was irredeemable. From the hurrying traffic of the street she took a final breath of courage, and tugged at the iron bell-pull depending beside the Orphanage gate. A bell clanged close within the house, and the sound of it almost made her jump out of her boots.
A KIDNAPPING
"_And with that sound the castle all to-brast; so she took him, and they two fared forth hand in hand." "QUEST OF THE GRAIL."
The front door opened, and a slatternly woman in a soiled print dress came shuffling down the flagged pathway to the gate. She wore cloth boots, and Tilda took note that one of them was burst.
"Go away," said the woman, opening the gate just wide enough to thrust out her head. "We don't give nothing to beggars."
"I could 'a told you that," retorted Tilda. "But as it 'appens, I ain't one." She pointed to a brass letter-plate beside the wicket—it was pierced with a slit, and bore the legend, For Voluntary Donations. "Seems you collect a bit, though. Like it better, I dessay."
"Look here, if you've come with a message, let's 'ave it, an' take yourself off. It's washing-day in the 'ouse, an' I'm busy."
"Ah!" said Tilda politely, "I'm glad I came before you begun. I want"—here she unfolded her scrap of paper and made pretence to read—"I want to see the Reverend Doctor Purdie J. Glasson."
"Then you can't," snapped the woman, and was about to shut the door in her face, but desisted and drew back with a cry as a formidable yellow dog slipped through the opening, past her skirts, and into the garden.
It was 'Dolph, of course. Anxiety for his mistress had been too much for him, and had snapped the bonds of obedience; and knowing full well that he was misbehaving, he had come up furtively, unperceived. But now, having crossed the Rubicon, the rogue must brazen things out— which he did by starting a cat out of one of the dingy laurels, chivvying her some way into the house, and returning to shake himself on the front doorstep and bark in absurd triumph.
"'Dolph! 'Dolph!" called Tilda.
"Belongs to you, does he? Then fetch him out at once! You, and your dogs!"
"I'm fetchin' him fast as I can."
Tilda pushed past her, and advanced sternly to the front doorstep. "'Dolph, come here!" she commanded. 'Dolph barked once again defiantly, then laid himself down on the step in abject contrition, rolling over on his back and lifting all four legs skyward.
Tilda rolled him sideways with a slap, caught him by the scruff of the neck, and began to rate him soundly. But a moment later her grasp relaxed as a door opened within the passage, and at the sound of a footstep she looked up, to see a tall man in black standing over her and towering in the doorway.
"What is the meaning of this noise?" demanded the man in black. He was elderly and bald, with small pig-eyes, grey side-whiskers, and for mouth a hard square slit much like that of the collecting-box by the gate. A long pendulous nose came down over it and almost met an upthrust lower jaw. He wore a clerical suit, with a dingy white neck-tie; the skin about his throat hung in deep folds, and the folds were filled with an unpleasing grey stubble.
"If—if you please, sir, I was comin' with a message, an' he started after a cat. I can't break 'im of it."
"Turn him out," said the man in black. He walked to the gate and held it open while Tilda ejected Godolphus into the street. "I never allow dogs on my premises."
"No, sir."
"Now tell me your message."
"It's about a—a boy, sir," stammered Tilda, and felt a horrible fear creeping over her now that she approached the crisis. "That is, if you're the Reverend Doctor Glasson."
"I am Doctor Glasson. Well?"
"It's about a boy," harked back poor Tilda. "He's called Arthur Miles Surname Chandon—an' he was born at a place called Kingsand, if that's any 'elp—an' there's somebody wants to see 'im most particular."
"Come indoors."
Doctor Glasson said it sharply, at the same time turning right about and leading the way towards the house. Tilda followed, while behind her the excluded 'Dolph yapped and flung himself against the gate. But the gate was lined on the inside with wire-netting, and the garden wall was neither to be leapt nor scaled.
In the porch Dr. Glasson stood aside to let the servant precede them into the house, looked after her until she vanished down the length of a dark passage that smelt potently of soapsuds and cabbage-water, and motioned the child to step within. She obeyed, while her terror and the odours of the house together caught her by the throat. But worse was her dismay when, having closed the front door, the Doctor bolted it and slipped a chain on the bolt.
"The first door to the left, if you please." He stepped past her and pushed it open, and she entered, albeit with quaking knees. The room—a large and high one—was furnished barely and like an office—with a red flock wall-paper, a brown linoleum on the floor, and in the centre of the linoleum a bulky roll-top desk and a Windsor chair. Other Windsor chairs stood in array against the walls, and a couple of rosewood bookcases with glass fronts. There was also by the fireplace an armchair covered with American leather, a rag-work hearth-rug, and a large waste-paper basket stuffed with envelopes and circulars. Over the mantelshelf hung a print in an Oxford frame, with the title Suffer Little Children to Come unto Me, and a large stain of damp in the lower left-hand corner. The mantelshelf itself supported a clock, a pair of bronze candlesticks, a movable calendar, a bottle of paste, and a wooden box with For the Little Ones painted on it in black letters.
All this the child took in almost at a glance, and notwithstanding that the room was dark. Yet it had two large windows, and they were curtainless. Its gloom came of the thick coating of dirt on their upper panes, and a couple of wire blinds that cut off all light below.
Doctor Glasson had walked straight to his desk, and stood for a few moments with his back to the child, fingering his papers and apparently engaged in thought. By-and-by he picked up a pair of spectacles, turned, and adjusted them slowly whilst he stared down on her.
"Where did you get this information?"
Tilda's first impulse was to show him her scrap of paper, but she thought better of it. She would keep it back while she could, as a possible trump card. Besides, she feared and distrusted this man with the little eyes. Seen through glasses they were worse than ever.
"He's wanted by someone very particular," she repeated.
"By whom? Speak up, child! Who sent you?"
Heaven knows to what invisible spirits the child appealed. They were certainly disreputable ones, as will be seen; but they heard her prayer, and came to her now in her extremity. Hardly knowing what she did, she opened on this man a pair of eyes seraphically innocent, and asked—
"W'y, haven't you seen my aunt?"
"Your aunt?"
"She promised to call here at twelve-thirty, an' I was to meet her. But"—here Tilda had to keep a tight hold on her voice—"per'aps I'm early?"
"It's close upon one o'clock," said Doctor Glasson, with a glance towards the mantelshelf. "What is your aunt's name, and her business?"
"She's called Brown—Martha Brown—Mrs. Martha Brown, and she keeps a milliner's shop in the Edgeware Road, London," panted Tilda.
"I should have asked, What is her business with me?" Doctor Glasson corrected his question severely.
"I think—I dunno—but I think, sir, she might be wantin' to enter me for a orphlan. My pa, sir, was knocked down an' killed by a motor-car. It was in the early days," pursued Tilda, desperate now and aghast at her own invention. The lies seemed to spring to her lips full grown. "Pa was a stableman, sir, at Buckin'am Palace, and often and often I've 'eard 'im tell mother what'd be the end of 'im. He 'd seen it in a dream. And mother, she was a stewardess in a Sou'-Western boat that got cut in two last year. Maybe you read of it in the papers?"
Tears by this time filled the child's eyes. She was casting about to invent a last dying speech for her mother, when Doctor Glasson interrupted.
"If your aunt wishes to place you here, it might perhaps be managed, for a consideration. Just now we have no room for-er—non-paying children. But you began by asking for Arthur Miles."
"Surname Chandon."
"Yes—quite so—Chandon." He picked up a pencil and a half-sheet of paper from the desk, and wrote the name. "Born at Kingsand—I think you said Kingsand? Do you happen to know where Kingsand is? In what county, for instance?"
But Tilda had begun to scent danger again, she hardly knew why, and contented herself with shaking her head.
"Someone wants to see him. Who?"
"She's—an invalid," Tilda admitted.
"Not your aunt?"
"She's a—a friend of my aunt's."
Doctor Glasson pulled out a watch and compared it with the clock on the mantelshelf. While he did so Tilda stole a look up at his face, and more than ever it seemed to her to resemble a double trap—its slit of a mouth constructed to swallow anything that escaped between nose and chin.
"Your aunt is far from punctual. You are sure she means to call?"
"Sure," answered Tilda still hardily. "'Twelve-thirty' was her last words when she left me at the doctor's—my 'ip bein' 'urt, sir, through tumblin' out of a nomnibus, three weeks ago. But you never can depend on 'er to a few minutes up 'an down. She gets into the streets, watchin' the fashions, an' that carries 'er away. P'r'aps, sir, I 'd better go back into the street and 'ave a look for her."
"I think you had better wait here for her," said Doctor Glasson, shutting his lips with a snap. "There are some picture-books in the drawing-room."
He led the way. The drawing-room lay at the back of the house—an apartment even more profoundly depressing than the one she had left. Its one important piece of furniture was a circular table of rosewood standing in the centre of the carpet under a brass gaselier, of which the burnish had perished in patches; and in the centre of the table stood a round-topped glass case containing a stuffed kestrel, with a stuffed lark prostrate under its talons and bleeding vermilion wax. Around this ornament were disposed, as the Doctor had promised, a number of albums and illustrated books, one of which he chose and placed it in her hands, at the same time bringing forward one of a suite of rosewood chairs ranged with their backs to the walls. He motioned her to be seated.
"You shall be told as soon as ever your aunt arrives."
"Yes, sir," said Tilda feebly. For the moment all the fight had gone out of her.
He stood eyeing her, pulling at his bony finger-joints, and seemed on the point of putting some further question, but turned abruptly and left the room.
As the door closed—thank Heaven, at least, he did not bolt this one also!—a dry sob escaped the child. Why had she told that string of falsehoods? She was trapped now—imprisoned in this horrible house, not to be released until this fictitious aunt arrived, which, of course, would be never. The book on her lap lay open at a coloured lithograph of Mazeppa bound upon his steed and in full flight across the Tartar steppes. She knew the story—was it not Mr. Maggs's most thrilling "equestrian finale," and first favourite with the public? At another time she would have examined the picture eagerly. But now it swam before her, unmeaning. She closed the book, threw a glance around the four corners of the room, another at the stuffed kestrel—whose pitiless small eye strangely resembled Doctor Glasson's—and dragged herself to the window.
The lower panes of the window were filled with coloured transparencies representing in series the history of the Prodigal Son. They excluded a great deal of daylight and the whole of the view. Even by standing on tip-toe she could not look over them, and she dared not try to raise the sash.
By-and-by a thought struck her. She went back to her chair, lifted it, carried it to the window and climbed upon it; and this was no small feat or succession of feats, for as yet her thigh pained her, and fear held her half-paralysed.
What she looked upon was an oblong space enclosed by brick walls ten or twelve feet high, and divided by a lower wall—also of brick—into two parallelograms of unequal width. Of these the wider was a gravelled yard, absolutely bare, in extent perhaps an acre; and here, in various knots and groups, were gathered some two dozen children. Alongside of the yard and upon its left—that is to say, as Tilda guessed, between it and the canal—ran a narrower strip of kitchen garden, planted with leeks, cabbages, potatoes, and ending in a kind of shed—part glass-house, part out-house—built in lean-to fashion against the terminal wall, which overtopped it by several feet. The children in the yard could not look into this garden, for the dividing wall reached far above their heads.
Tilda, too, had no eyes for the garden, after a first glance had assured her it was empty. The children engaged all her attention. She had never seen anything like them; and yet they were obviously boys and girls, and in numbers pretty equally divided, What beat her was that they neither ran about nor played at any game, but walked to and fro—to and fro—as though pacing through some form of drill; and yet again they could not be drilling, for their motions were almost inert and quite aimless. Next, to her surprise, she perceived that, on no apparent compulsion, the boys kept with the boys in these separate wandering groups, and the girls with the girls; and further that, when two groups met and passed, no greeting, no nod of recognition, was ever exchanged. At any rate she could detect none. She had heard tell—indeed, it was an article of faith among the show-children with whom she had been brought up—that the sons and daughters of the well-to-do followed weird ways and practised discomfortable habits—attended public worship on Sundays, for instance, walking two and two in stiff raiment. But these children were patently very far from well-to-do. The garments of some hung about them in rags that fell short even of Tilda's easy standard. The spectacle fascinated her. For the moment it chased fear out of her mind. She was only conscious of pity—of pity afflicting and indefinable, far beyond her small understanding, and yet perhaps not wholly unlike that by which the great poet was oppressed as he followed his guide down through the infernal circles and spoke with their inhabitants. The sight did her this good—it drove out for a while, along with fear, all thought of her present situation. She noted that the majority were in twos or threes, but that here and there a child walked solitary, and that the faces of these solitary ones were hard to discern, being bent towards the ground . . .
The door-handle rattled and called her back to terror. She had no time to clamber down from her chair. She was caught.
But it was a woman who entered, the same that had opened the front gate; and she carried a tray with a glass of water on it and a plate of biscuits.
"The Doctor told me as 'ow you might be 'ungry," she explained.
"Thank you," said Tilda. "I—I was lookin' at the view."
For an instant she thought of appealing to this stranger's mercy. The woman's eyes were hard, but not unkind. They scrutinised her closely.
"You take my advice, an' get out o' this quick as you can."
The woman thumped down the tray, and made as if to leave the room with a step decisive as her speech. At the door, however, she hesitated.
"Related to 'im?" she inquired.
"Eh?" Tilda was taken aback. "'Oo's 'im?"
"I 'eard you tell the Doctor you wanted to see 'im."