Details
Filmmaking for fieldwork
A practical handbook|
32,99 € |
|
| Verlag: | Manchester University Press |
| Format: | EPUB |
| Veröffentl.: | 04.08.2020 |
| ISBN/EAN: | 9781526131560 |
| Sprache: | englisch |
| Anzahl Seiten: | 232 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
Designed for researchers seeking new ways to explore their field and media professionals aiming to extend their practice, this filmmaking handbook shows you how to plug in to issues at the intersection of documentary cinema and ethnography. Exploring the unique potential for filmmaking to describe lifeworlds and the role of video editing in generating new ideas about human experience, it offers practical and theoretical advice for those making their first films.
Based on over twenty years of teaching and industry experience, <i>Filmmaking for fieldwork</i> aims to inspire the development of core skills in camera use, sound recording and editing that can be applied to sensory, observational, participatory, reflexive and immersive modes of storytelling. Written for a multi-disciplinary audience, this book covers all stages necessary to produce a documentary film, from conception through to preparation, production, editing and distribution.
Based on over twenty years of teaching and industry experience, <i>Filmmaking for fieldwork</i> aims to inspire the development of core skills in camera use, sound recording and editing that can be applied to sensory, observational, participatory, reflexive and immersive modes of storytelling. Written for a multi-disciplinary audience, this book covers all stages necessary to produce a documentary film, from conception through to preparation, production, editing and distribution.
The underlying principal of this handbook is to broaden the application of ethnographic filmmaking to suit a wide range of research areas and documentary expression, encompassing sensory, fictive, observational, participatory, reflexive, performative and immersive modes of storytelling.
Section 1: Why make a documentary film?
Technique
Approach
Ethics
Section 2: Preparation
Writing a film proposal
Selecting equipment
Establishing control
Lighting
Section 3: Recording
Fieldwork relationships
Image
Sound
Operating in key situations
Archive
Section 4: Editing
Preparation for an edit
Designing your film
Beginning an edit
Rough cutting to find a story
Technique and style
Feedback
Titles and credits
Fine cutting
Editing and mixing sound
Mastering
Section 5: Distribution
Sharing your work
Writing about your work
Film festivals and screening events
Publication
Afterword: The journey continues
Index
Technique
Approach
Ethics
Section 2: Preparation
Writing a film proposal
Selecting equipment
Establishing control
Lighting
Section 3: Recording
Fieldwork relationships
Image
Sound
Operating in key situations
Archive
Section 4: Editing
Preparation for an edit
Designing your film
Beginning an edit
Rough cutting to find a story
Technique and style
Feedback
Titles and credits
Fine cutting
Editing and mixing sound
Mastering
Section 5: Distribution
Sharing your work
Writing about your work
Film festivals and screening events
Publication
Afterword: The journey continues
Index
Andy Lawrence is a filmmaker and Senior Lecturer in Visual Anthropology at the University of Manchester
Designed for researchers seeking new ways to explore their field and media professionals aiming to extend their practice, this filmmaking handbook shows you how to plug in to issues at the intersection of documentary cinema and ethnography. Exploring the unique potential for filmmaking to describe lifeworlds and the role of video editing in generating new ideas about human experience, it offers practical and theoretical advice for those making their first films.
Based on over twenty years of teaching and industry experience, <i>Filmmaking for fieldwork</i> aims to inspire the development of core skills in camera use, sound recording and editing that can be applied to sensory, observational, participatory, reflexive and immersive modes of storytelling. Written for a multi-disciplinary audience, this book covers all stages necessary to produce a documentary film, from conception through to preparation, production, editing and distribution.
Based on over twenty years of teaching and industry experience, <i>Filmmaking for fieldwork</i> aims to inspire the development of core skills in camera use, sound recording and editing that can be applied to sensory, observational, participatory, reflexive and immersive modes of storytelling. Written for a multi-disciplinary audience, this book covers all stages necessary to produce a documentary film, from conception through to preparation, production, editing and distribution.
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