Details
Dance in Contested Land
New Intercultural DramaturgiesNew World Choreographies
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106,99 € |
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| Verlag: | Palgrave Macmillan |
| Format: | |
| Veröffentl.: | 30.10.2020 |
| ISBN/EAN: | 9783030465513 |
| Sprache: | englisch |
Dieses eBook enthält ein Wasserzeichen.
Beschreibungen
<p></p><p>This book traces an engagement between intercultural dance company Marrugeku and unceded lands of the Yawuru, Bunuba, and Nyikina in the north west of Australia. In the face of colonial legacies and extractive capitalism, it examines how Indigenous ontologies bring ecological thought to dance through an entangled web of attachments to people, species, geologies, political histories, and land. Following choreographic interactions across the multiple subject positions of Indigenous, settler, and European artists between 2012–2016 the book closely examines projects such as Yawuru/Bardi dancer and choreographer Dalisa Pigram’s solo <i>Gudirr Gudirr</i> (2013) and the multimedia work <i>Cut the Sky</i> (2015). <i>Dance in Contested Land</i> reveals how emergent intercultural dramaturgies can mediate dance and land to revision and reorientate kinetics, emotion, and responsibilities through sites of Indigenous resurgence and experimentation.</p><br><p></p>
1. Chapter One: Introduction.- 2. Chapter Two: The Dramaturgies of Listening to Country.- 3. Chapter Three: Gudirr Gudirr—Culturally Situated Neo-Expressionism.- 4. Chapter Four: Cut the Sky—Dramaturgies to disrupt the Anthropocene.
<p>Rachael Swain is a settler director, dramaturg, and researcher of intercultural and trans-disciplinary dance and performance. She was born on the lands of the Ngāi Tahu in Aotearoa/New Zealand and works between the lands of the Gadigal in Sydney and the lands of the Yawuru in Broome, Australia. Rachael is co-artistic director of Marrugeku with Yawuru/Bardi dancer and choreographer Dalisa Pigram.<br></p> <p> </p>
<p>This book traces an engagement between intercultural dance company Marrugeku and unceded lands of the Yawuru, Bunuba, and Nyikina in the north west of Australia. In the face of colonial legacies and extractive capitalism, it examines how Indigenous ontologies bring ecological thought to dance through an entangled web of attachments to people, species, geologies, political histories, and land. Following choreographic interactions across the multiple subject positions of Indigenous, settler, and European artists during a period of intense choreographic development for the company between 2012–2016 the book closely examines projects such as Yawuru/Bardi dancer and choreographer Dalisa Pigram’s solo <i>Gudirr Gudirr</i> (2013) and the multimedia work <i>Cut the Sky</i> (2015). <i>Dance in Contested Land</i> reveals how emergent intercultural dramaturgies can mediate dance and land to revision and reorientate kinetics, emotion, and responsibilities through sites of Indigenous resurgence and experimentation.<br></p>
Demonstrates new dramaturgies born of making, performing and witnessing dance in the contested lands of First Peoples Contextualises Indigenous-intercultural dance practice within debates on Indigenous recognition and the uneasy challenges of reconciliation Highlights the ways Indigenous choreographic resurgence in contested sites can produce neo-expressive choreopolitical dance theatre
Takes a trans-disciplinary approach, drawing on sound theory, art history, indigenous studies, performance studies and dance studies<div>Shows how contemporary indigenous dance makes visible a crisis of knowledge values in post-colonial environments</div><div>Three parts cover: listening as devised choreographic practice; listening to cultural, historical and political contexts; and the identification of new cultural dramaturgies</div>
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