Details
A Grand Materialism in the New Art from China
Philosophy and Cultural Identity
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44,99 € |
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| Verlag: | Lexington Books |
| Format: | |
| Veröffentl.: | 29.09.2020 |
| ISBN/EAN: | 9781498596916 |
| Sprache: | englisch |
| Anzahl Seiten: | 198 |
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Beschreibungen
<p><span>In </span><span>A Grand Materialism in the New Art from China</span><span>, Mary Bittner Wiseman shows that material matters in the work of Chinese artists, where the goal is to call attention to its subjects through the directness and immediacy of its material (like dust from 9/11, 1001 Chinese citizens, paintings made with gunpowder, written words) or the specificity of its sites (such as the Three Gorges Dam). Artists are working below the level of language where matter and gesture, texture and touch, instinct and intuition live. Not reduced to the words applied to them, art's subjects appear in their concrete particularity, embedded in the stories of their materials or their sites. Wiseman argues that it is </span><span>global</span><span> in being able to be understood by all </span><span>thanks to its materials and the stories that accompany it, and the art is </span><span>contemporary </span><span>in having to make the case for itself that it is art. Finally, it satisfies Arthur Danto’s characterization of </span><span>art </span><span>as any representation that puts its subject in a new light by way of a rhetorical figure that the viewer interprets. The material art from China is the paradigm for an art that is global and contemporary.</span></p>
<p><span>Material matters in new Chinese art, which presents its subjects through the directness and immediacy of its material. This book applies theories by Osborne and Danto to new Chinese art to show how </span><span>artists are working below the level of language to make each work of art prove that it is art.</span></p>
<p><span>Illustrations</span></p>
<p><span>Exhibitions</span></p>
<p><span>Acknowledgments</span></p>
<p><span>Introduction</span></p>
<p><span>Part One – Crisis</span></p>
<p><span>Chapter One – Subversive Strategies in Contemporary Chinese Art</span></p>
<p><span>Chapter Two – The Role of Expression in Chinese Art</span></p>
<p><span>Part Two – Working through Art</span></p>
<p><span>Chapter Three – A Grand Materialism</span></p>
<p><span>Chapter Four – Gendered Bodies in Contemporary Chinese Art</span></p>
<p><span>Part Three – Thinking through Art</span></p>
<p><span>Chapter Five – </span><span>Art and China after 1989: Theater of the World </span></p>
<p><span>Chapter Six – </span><span>According to What?</span><span> and </span><span>Bound Unbound</span></p>
<p><span>Chapter Seven - Mao’s Legacy and Danto’s Definition</span></p>
<p><span>Bibliography</span></p>
<p></p>
<p><span>Exhibitions</span></p>
<p><span>Acknowledgments</span></p>
<p><span>Introduction</span></p>
<p><span>Part One – Crisis</span></p>
<p><span>Chapter One – Subversive Strategies in Contemporary Chinese Art</span></p>
<p><span>Chapter Two – The Role of Expression in Chinese Art</span></p>
<p><span>Part Two – Working through Art</span></p>
<p><span>Chapter Three – A Grand Materialism</span></p>
<p><span>Chapter Four – Gendered Bodies in Contemporary Chinese Art</span></p>
<p><span>Part Three – Thinking through Art</span></p>
<p><span>Chapter Five – </span><span>Art and China after 1989: Theater of the World </span></p>
<p><span>Chapter Six – </span><span>According to What?</span><span> and </span><span>Bound Unbound</span></p>
<p><span>Chapter Seven - Mao’s Legacy and Danto’s Definition</span></p>
<p><span>Bibliography</span></p>
<p></p>
<p><span>Mary Bittner Wiseman</span><span> is emerita professor of philosophy at Brooklyn College and The Graduate Center of the City University of New York. </span></p>
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